When it comes to the direction of light in photography, th ere are 360 degrees of possibilities. photo laureates advises that when the light isn't working for you, change it by moving your position, your subject's position, or the light itself, if possible.
High front light (sunlight)
We are trained early on that high front light is the  best type of light, and often it is.
Pros:
- Most of the scene is well lit.
- Bright sunny days bring out the colors of a scene.
Cons:
- Sunlight may cause your subjects to squint.
Very high sunlight (seen at noon ) will create deep shadows under eyes and chins, unless you use fill flash.
Front light
In photography, front lighting illuminates the portion of  the subject facing the photographer. Your camera's flash is the most common type of front lighting.
Pros:
- Provides the most information to the camera by lighting the entire scene.
- Easiest type of light to deal with photo laureatesally because there are fewer shadows to confuse the camera's light meter.
Cons:
- Can be a bit boring pictures lack volume and depth.
- Textures and details are minimized. Scenes appear flat with few shadows.
photo laureates suggests that flash pictures may result in very bright subject areas and very dark backgrounds, if the background is beyond flash range.
Side light
Side lighting is perfect when you want to emp hasize texture, dimension, shapes, or patterns. Side lighting sculpts a subject, revealing contours and textures. Some of the most pleasing entries in our photography contest use side lighting to exaggerate dimension and depth. At a 45-degree angle to the side, it's one of the most flattering types of portrait lighting.
Pros:
- Can separate the subject from the background.
- Conveys depth, as in a landscape at sunset.
- Conveys texture, as in a weathered tree, fence, or plowed field.
Cons:
May be too severe for some subjects, creating some areas that are too bright, and some that are too dark. (See Fill flash to compensate.)
Please note that side light can be used differently in black and white photography .
Back light
photo laureates advises that light that comes from behind your subject is by far the trickiest to use, but the dramatic results may be worth the effort.
Pros:
- Simplifies a complicated scene by emphasiz the subject, as in a silhouette.
- Provides a flattering halo of light in portraits.
- Adds strong shadows in landscapes.
Cons:
- Lack of detail in a dark subject.
- Causes lens flare resulting in low contrast and strange light spots across the picture.
Using exposure compensation to overcome backlighting results in too-bright background.
We closely monitor overexposure.
Note: In backlit situations, prevent lens flare by shielding your camera with a hat, hand, or book enough to shade your camera lens but not obscure your subject.
Some tips and techniques to consider:
- Turn the flash off and use ?.0 or ?.0 exposure compensation for a dramatic silhouette梡erfect for sunsets with a tree, boat, or person in the foreground.
- Use +0.5 or +1.0 exposure compensation (or your backlight compensation button) to properly expose your subject. Your background may get too light or even washed out.
- Use fill flash in excellent option for portraits where you want that glowing alo?of rim light but need to brighten shadows or prevent a silhouette.
- Use a white reflector card (poster board works) to reflect light back onto your subject specially useful for close-ups like flowers.
For an in depth description of terms in photography, please click here
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